Book Review : Demons of Chitrakut - Ashok K. Banker  

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Okay, so I JUST finished the third book, literally 30 seconds ago. I just put it down and I have to tell you how it is. Okay, I think I already used the words brilliant and awesome, so, in an attempt NOT to repeat myself, I'm going to try and find some synonyms. It was : astonishing, awe-inspiring, beautiful, breathtaking, daunting, exalted, grand, imposing, impressive, magnificent, majestic, mind-blowing, moving, real gone, something else, striking, stunning, stupefying, wonderful, wondrous, zero cool.

 I have no idea what "zero cool" and "real gone" are, but what the hell, I'll throw them in there for good measure. :)




After decimating the Asura forces in the Siege of Mithila, the triumphant heroes are wed to their respective brides and the royal retinue is on its way back to Ayodhya. Rama is to be crowned the new king of the Suryavansha line and he is to take his rightful place at the helm of the greatest of Arya nations, Ayodhya.

On the way to Ayodhya, they are stopped and challenged by Parushrama, the slayer of Kshatriyas. I won't go into too much detail here but the backstory is that his father (a brahmin) is wrongfully killed by a few arrogant kshatriyas and Parushrama embarks on an epic cleansing of all the kshatriyas on the mortal realm. Once he completes the task, he goes into meditation, coming out again and again to complete his task. He is awakened from his current tapasya by the breaking of Shiva's bow. He comes out to challenge Rama and Rama bests him, proving to him that his time is at an end. This is because the current race of kshatriyas are dharma-abiding, god-fearing people who accept their place in the world with honour and humility. Parushrama genuflects before Rama and then gives up his crusade to spend the rest of his years meditating.

But all is not well in the Unconquerable city. How could it be? Any stripling worth his salt knows this is just the beginning of Rama's travails. Manthara, Kaikeyi's governess and the secret apprentice of the Lord of Lanka plots to overthrow Rama and sow dissent in House Ayodhya. She plans, schemes and sets her plans in motion which eventually leads to two things. One, Rama's 14 year exile in the demon-filled Dandaka-van and two, for Bharat to be crowned King with Kaikeyi as the First Queen (Dasaratha's).

But the plan backfires, as Bharat wants no part in the kingship that rightfully belongs to his elder brother and refuses the Sun Throne. Rama, the perfect human being that he is, accepts his exile without a word and heads out, but Sita and Lakshman join him vowing never to leave his side, no matter where he may be headed. As Rama heads out, the word spreads like wildfire that Rama has abdicated the throne and has been exiled and the country stands at the cusp of revolt and civil war. Bharat refuses his place on the throne and exiles himself, followed by Shatrughan and vows never to step foot in Ayodhya for as long as Rama is not king. The burden then falls on Kausalya to rule as Regent in Rama's absence, which she takes up as her duty.

Rama, Lakshman and Sita encounter many people, incidents and places on their way to their destination of Chitrakut. These are again written in very human terms. Lakshman is not as all-forgiving as Rama is and resents the fact that they've been outcast for putting their lives on the line, slaying Tataka, taking on Ravana and saving Mithila. Sita is fearful that Rama is destined to a life with violence (not of his choosing) which she is afraid of.

They reach Chitrakut and build themselves a hut in which to live out their exile in peace but they know that danger is literally just around the corner. The entire Asura army wasn't wiped out at the siege. One battalion still survived as they couldn't make the siege on time and took refuge in the Dandakan forest that borders Chitrakut.

It is here that Supanakha finally attempts to seduce Rama. She tries sorcery to pass herself off as Sita and fails as Rama sees right through the disguise. She leaves maimed and injured and comes back with the army of 14,000 asuras.

This time, the brothers don't have the power of brahman anymore (read the previous book) and are but mere mortals fending off an army. Rama, Lakshman and Sita (yes, Sita is an accomplished warrior in her own right) fight off the forces until they are joined by the unlikliest of allies. The story draws to a close with Rama telling his band of outlaws that the struggle will be long and hard but that at the end of the day, victory will be theirs, no matter what. They agree to start attacking the 14,000 strong force with guirella tactics in order to decimate their numbers.

Paralelly, we follow the story of the defeated Lankan lord who, after being vanquished, is brought home by his brother but loses complete control over the island nation of Lanka.

Yet another masterpiece. I'm not going to say anymore cause too much gushing will just ruin it. Read the books in order, or else they won't make sense. And tonight, I go home and pick up the next one, Armies of Hanuman.


Book Review : Siege of Mithila - Ashok K. Banker  

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I know it's been a long time since I posted anything but I've been super busy. Lots of things happening which have something to do with my absence. But I shall elaborate on those later.

For now, I'd like to say, I completed Book 2 of The Ramayana series by Ashok K Banker and yet again, it was excellent.





Book 2 picks up moments after Book 1 left off. The Princes of Ayodhya have vanquished the Asura Tataka and have fulfilled their servitude to the Brahmarishi Vishwamitra, or so they think.

News has reached the Arya nations of the advance of an Asura horde sweeping across the country, heading straight for the defenseless Arya nation of Mithila, home of Janaka and his four daughters. After the last Asura war, Janaka has turned his entire nation to the pursuit of one thing, enlightenment. It is in this pursuit that the army was, for all intents and purposes, disbanded and ritual and pooja became the mainstay of the populace along with the pursuit of a higher state of dharma.

Vishwamitra informs the young princes that the next road on the way to stopping Ravana lies in Mithila. He doesn't inform them till much later that this is the target of the ten million strong Asura horde that threatens to wipe out the defenseless Arya nation.

Along the way, they meet new friends, face more perilous missions and finally, enter the Swayamvar of the Princess Sita on the eve of the Asuras landing at Mithila. It is there that Ravana, in disguise, tries to steal Sita away by winning the competition only to be bested by Rama at the last moment. The challenge is to lift the Bow of Shiva (which is iron cast and weighs 500 kilos), string it and shoot at a target. Rama steps in to challenge the demon king and bests him, thereby winning Sita's hand and also tying their fate together.

But is there a point? The mainstay of the Asura army is knocking at their doorstep (literally) and there is virtually no time to call on allies or reinforcements as every nation is too busy getting their own armies on alert. So, the Rajkumars' Vajra (50 horses and a few elephant), the two Princes, the Brahmarishi and a host of sadhus face what looks like a lost cause.

Or is it?

This is another tale resplendent with Vedic mythology, more tales of good vs. evil while the two brothers march along their preordained path to glory, hand in hand with dharma.

It is little known whether Rama was a real historical figure whose acts of bravery were so legendary that he went down as an incarnation of Vishnu or whether he was a complete fabrication of Valmiki, the robber turned saint who recieved the divine story from Ganesha.

Here is an excerpt from the Author's Note:

Adi-kavya: The first retelling

Some three thousand years ago, a sage named Valmiki lived in a remote forest ashram, practising austerities with his disciples. One day, the wandering sage Narada visited the ashram and was asked by Valmiki if he knew of a perfect man. Narada said, indeed, he did know of such a person, and then told Valmiki and his disciples a story of an ideal man.

Some days later, Valmiki happened to witness a hunter killing a kraunchya bird. The crane’s partner was left desolate, and cried inconsolably. Valmiki was overwhelmed by anger at the hunter’s action, and sorrow at the bird’s loss. He felt driven to do something rash, but controlled himself with difficulty.

After his anger and sorrow subsided, he questioned his outburst. After so many years of practising meditation and austerities, he had still not been able to master his own emotions. Was it even possible to do so? Could any person truly become a master of his passions? For a while he despaired, but then he recalled the story Narada had told him. He thought about the implications of the story, about the choices made by the protagonist and how he had indeed shown great mastery of his own thoughts, words, deeds and feelings. Valmiki felt inspired by the recollection and was filled with a calm serenity such as he had never felt before.

As he recollected the tale of that perfect man of whom Narada had spoken, he found himself reciting it in a particular cadence and rhythm. He realized that this rhythm or metre corresponded to the warbling cries of the kraunchya bird, as if in tribute to the loss that had inspired his recollection. At once, he resolved to compose his own version of the story, using the new form of metre, that others might hear it and be as inspired as he was.

But Narada’s story was only a bare narration of the events, a mere plot outline as we would call it today. In order to make the story attractive and memorable to ordinary listeners, Valmiki would have to add and embellish considerably, filling in details and inventing incidents from his own imagination. He would have to dramatize the whole story in order to bring out the powerful dilemmas faced by the protagonist.

But what right did he have to do so? After all, this was not his story. It was a tale told to him. A tale of a real man and real events. How could he make up his own version of the story?

At this point, Valmiki was visited by Lord Brahma Himself. The Creator told him to set his worries aside and begin composing the work he had in mind. Here is how Valmiki quoted Brahma’s exhortation to him, in an introductory passage not unlike this one that you are reading right now:

Recite the tale of Rama … as you heard it told by Narada. Recite the deeds of Rama that are already known as well as those that are not, his adventures … his battles … the acts of Sita, known and unknown. Whatever you do not know will become known to you. Never will your words be inappropriate. Tell Rama’s story … that it may prevail on earth for as long as the mountains and the rivers exist.

Valmiki needed no further urging. He began composing his poem. He titled it, Rama-yana, meaning literally, The Movements (or Travels) of Rama.

*~*

Man, I love this series. So, dutifully, I'm on the third book already... Demons of Chitrakut.

Monday Morning Blues  

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Sigh. It's another Monday morning and I feel dreadful. Kind of because it was not the best weekend, partly because it's Monday and I'm back to work (here. :| ) and partly because it's a gloomy day and I just found out that Brittany Murphy passed away at the age of 32... of natural causes. 

I'm turning 29 in a few days and that's scary as all hell. It makes me wonder what life has in store for me. Sometimes I feel like I'll live to be 200 years old and sometimes I feel like it's my last day around. The inconsistency of life never ceases to astound me. You never know who's next or when they'll go. If today is my last day, I'd like to be living it up, not sitting in an office working. But then again, who does? 

When I was an eager pup of 17, I had determined that I would live my life everyday like it was my last. I'm sure everyone makes these declarations when they're young and naive. But how many people actually live it. I know a few do. They make sure everyday is a celebration of some sort. Of love, happiness, something. And there's me. I'm in a rut that I desperately want out of. 

I think I've fallen into this ever since I moved back to India. I've never really felt quite at home here and I always felt that if I move away, life will be great again. But how much of this is just wishful thinking and reminiscing of glory days. What's to say that if I lived anywhere, my life would be any different from how it is today. Just a different office, a different setting but the same routine. 

My greatest fear is that I will never find what it is that makes me truly happy. Whether it's the job, a place, I don't know. And I keep waiting for stuff to happen to me. I know this is a coward's way out but I don't know what I need to do to find some peace of mind and some fulfillment. 

I really hate feeling the way I am right now. I really wish I could up and leave and damn the consequences but unfortunately, I cannot. 

I have always promised myself that I would be fearless and never be poor. I mean, monetarily. Towards that end, I'm making headway but what about everything else. Am I willing to sacrifice the rest of life in pursuit of money? But at the same time, I can't go out and do what makes me happy because I have no clue what it is that will make me happy. 

I sound like a mess and I kind of feel that way too. 

Book Review : Prince of Ayodhya - Ashok K. Banker  

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And another book done. And this time, I finished it in record time, I'm proud to say. I completed the 500-odd pages of Prince of Ayodhya in one day. I started the book in the morning on the bus ride to work and was done by the time I hit the sack later that night. I read it at lunch, in the loo, on the bus ride back and any other spare moment I got. And the reason is, for the first time in a LONG time, I just couldn't put the book down. It was brilliant. It took me back to the days when I read The Lord of the Rings for the first time. I used to read it in class, during lunch, in the loo (yes, that's where the best reading is done). The writing was brilliant, the subject riveting and the characters, real and relatable. "How," you might ask, "are characters from a 3000 year old epic relatable?" To which I would say... READ THE BOOK. No, really. It was a contemporary look at the legendary classic The Ramayana. Ashok Banker took a few liberties, sure, but then again, who doesn't? And the result is a story that is gritty, full of adventure, fantasy & drama with just the right mix of mythology thrown in.



Now, I'm a huge mythology fan and right up there with the Greek and Roman, are the Indian myths. Our pantheon of a few hundred million deities gives us a lot to read and write about and the Ramayana is a good vs. evil story with a punch.

Rama, Lakshman and other characters of Banker's Prince of Ayodhya (PoA, for short) aren't demigods or incarnations of the one true God (not yet, anyways). They are teenage boys (around 15) born into a royal family facing a grave threat of invasion. The invading hordes are Asuras (Rakshasas) headed by the dreaded demon lord, Ravana. This book reminded me so much of LOTR which is probably why I'm fawning over it so much. Like Sauron, Ravana has been marshaling his forces to overrun the Arya Nations (Indian kingdoms) with a demon horde the likes of which has never been seen. It's up to Rama and his brother, Lakshman who are princes of the Suryavansha royal house to go out there and start the process of opposing him. The Asura Wars (like the Last Alliance of Elves and Men) was when Ravana was defeated by the current ruler of Ayodhya the Unconquerable, King Dusserutha. He is now old and about to announce Rama's ascension to the Sun Throne when Guru Vishwamitra (not unlike Gandalf and the Ishtari) comes to warn Ayodhya of Lanka's plans. The Gurus, Vishwamitra and Vashishta are two of the Seven Seers. They are sages of supreme power who have control over the magic of the Universe (called Brahman) and able to channel these energies to achieve the pinnacle of knowledge through penance and are almost immortal. They guide the princes on the path of righteousness that will eventually lead to victory.

I've read the original Ramayana as a child and it was very one-dimensional. There were the Princes, exiled from Ayodhya, Sita (Rama's love) gets kidnapped by Ravana who desires her and they raise an army and go get her back (and kill him, as a matter of course). This book describes, in contemporary language, how two normal boys are able to take on the demons who are powerful magical entities (not unlike Orcs). Another thing that makes PoA  great is the side stories of deceit and intrigue within the Royal household which will eventually lead to Rama & Lakshman's exile. But that's much later. We have very realistic characters like Kausalya (the first Queen) and the King and they're all normal people who feel lust, pride, joy, sorrow, envy and rage. They aren't all perfect versions of humanity who have only righteousness in their hearts. They've made mistakes that they regret, they feel anger and betrayal and the whole gamut of human emotions that the previous telling of these epics lacked. 

DISCLAIMER: I've read one of the million abridged versions out there, so the version I've read might be one-dimensional. I'm sure the original Sanskrit telling must have had all the things I felt my version lacked.

Now, for my favorite part. Indian myth has always had great potential for brilliant stories, granted that the person deals with them in a way that 21st century people can understand. Banker does just that. He says that like the age old tradition of honor, the princes are bound to Dharma (one's obligation in respect to one's position in society). They must, as princes of the royal house and being Kshatriyas (warriors), fulfill their destiny and duty in fighting the scourge that will soon cover the land in darkness. He brings old traditional sentiments and makes them very relatable emotions of today. He also infuses into the story at appropriate points, the stories of Hindu mythology, like the marriage of Shiva and Parvati, Kama's Folly, the stories of Lanka just to name a few.

I'm told Banker has a few inconsistencies in his novel but all that's forgivable because the narrative is so engrossing and fast paced. Besides, they are nothing major that impact the outcome in any significant way.

It's so well put together that I really could not stop reading. I'm going to have to get the next book right away. 

Book Review : 2001 A Space Odyssey - Arthur C Clarke  

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I have just finished another book and this one is quite the contrast to my recently completed Wodehouse classic. 2001 A Space Odyssey has been called one of the greatest science fiction novels of all time and one of the greatest movies of all time. Just as well because both the book and the movie were written almost simultaneously.



Both the book and the movie are based on Arthur C. Clarke's short story, The Sentinel. The Sentinel is the story of an artifact that is found on the Moon's surface that is surrounded by a force field. The artifact is sending out a signal to the stars and the moment the force field is breached, it stops emitting. The story hypothesizes that it is a warning of some kind to a race beyond this world that another space-faring race that has just emerged.

Stanley Kubrick is one my all time favorite directors. His movies that I have seen thus far have been nothing short of genius. I've seen A Clockwork Orange, Full Metal Jacket, Eyes Wide Shut, The Shining and a few more and I've loved each and every one of them. I've only seen the first few minutes of 2001 and for the life of me, I can't remember why it is I didn't complete watching the rest of the movie.




I'll give the movie its due when I do get around to watching it but for now, I want to focus on the book.

The book starts with the dawn of human evolution (about 3 million years ago) when ape-men were no different from all the rest of the animals out there. Sociologists and anthropologists have theorized that it was around that time that "men" in their basest form started using tools, discovered fire, etc. And the rest is history. Sweeping across the globe, we are now the dominant species for the time being. The story goes that the ape-men were no different from the rest of the animals with the exception of walking upright. One day a giant "rock" or monolith appears that starts giving them intelligence. Now, I'm not talking about dodo to Einstein but basic thought like picking up a bone to defend themselves. And this monolith was just one of many around the world trying to induce intelligence in to different species around at that time. It made a few adjustments and took a few chances, rolled the die, if you would. And then it disappears. The ape-men are the first to take to this experiment and show progress. One among them, Moon Watcher, the leader of one tribe is able to more ably handle tools and hunt and he becomes the first step of the next stage of human evolution. He is the master of the world.

I have always wondered about the theory that life on this planet had extra-terrestrial origins. Every science fiction story has some kind of a mythology about it in some way. Benevolent higher beings run around the galaxy seeding life on different planets, as an experiment, to preserve their essence, to ensure life doesn't end with their extinction. But I don't necessarily agree. I think the Earth has a few 100 billion species to boast of. A lot of which evolve in just over millenia to become something new and never before seen. I think  we're just on one of those lucky planets and we won the evolutionary lottery to take first place... for now.



We jump forward 3 million years to the year 1999 when a doctor is called to the moon colony under a top secret cover stories of a plague (explaining the news blackout from the moon base) and is told that while digging, they uncovered a black column that is perfectly symmetrical and adheres to a 1:4:9 ratio in its construct and is hence, artificially created. They have no idea what it does but it is carbon-dated to be 3 million years old. This is the first sign of intelligent life outside our world and there is obvious excitement. And just as they are examining it, there's a sunrise on the moon and just as the rays of sun shine on the monolith for the first time in a few million years, a sharp burst of energy shoots from it in to outer space.

Now, again, we jump a few years to 2001. David Bowman and Frank Poole are two astronauts aboard the spaceship Discovery on their way to Saturn via Jupiter for extra-planetary study. They have 3 more members in "hibernation" or suspended animation. And their on-board computer is a marvel of technology, the HAL 9000 (Heuristically programmed ALgorithmic Computer). He maintains life aboard ship and the astronauts are just caretakers.




The story follows the life aboard and the wonders, fears, doubts and exhilaration of inter-planetary travel. The two men are honored and excited at being the first two to venture in to the unknown like the sailors of old, but at the same time, go through feelings of immense loneliness that comes with the realization that the next human other than the 5 on board are a few hundred million miles away.

Both Poole and Bowman fall in to a routine that, if all goes well, will not be disturbed for a few years until they hit Saturn orbit. Then the remaining astronauts are woken up and research commences. But, of course, something goes wrong. HAL starts malfunctioning and reporting errors when there are none. When the two, after much deliberation, decide to disconnect HAL, the computer takes matters into its own hands and kills Poole when he ventures outside the ship for some repair work. Bowman who is inside tries waking up another astronaut for help, at which time HAL opens the airlocks and vents the ship's atmosphere trying to kill Bowman and hence protect himself. Bowman manages to survive and disconnects HAL.

Here, you have your Frankenstein complex come into play. Man builds something more advanced than he is but it eventually turns on him and it is his own undoing. Now, with HAL no longer a threat and the remaining astronauts are all dead, Mission Control tells him that the purpose wasn't just a study of Saturn but that it was a mission of paramount significance. The monolith, before it fell silent, had sent one strong burst of energy in the direction of Saturn and to Japetus (a moon of Saturn) in particular. It was kept hush-hush but the hibernating astronauts were trained to study whatever it was the monolith was trying to communicate with. With the usual human paranoia, they wonder if it's an alarm sent out setting into motion an advancing army of aliens or just a simple signal. Since he's the sole survivor of the mission crew, he must find out what is out there, in the name of humanity.

Bowman, amazed at first, accepts this and again falls into a routine till Saturn orbit is achieved. He's overwhelmed by the fact that he is to be the representative for all humankind, for better or for worse. As they approach Japetus, Bowman keeps wondering what awaits him and he finds out soon enough. As he hits orbit, he finds something that is nothing short of astounding.

On the surface of Japetus is another monolith far larger than its little cousin on the moon. This one is 2000 feet high and proportional in every other way to the moon monolith. And as Bowman flies towards it to investigate, it awakens after 3 million years of waiting. It accesses its instructions as to what to do when this eventuality happens and opens up to let him in. It is a Star Gate.

Bowman falls through sending one last signal to Earth before he vanishes. He says, "The thing's hollow - it goes on for ever - and - oh my God - it's full of stars!"

He is then transported through sights and sounds that defy human comprehension. He passes stars, galaxies, nebulae and astronomical phenomena that are beyond our wildest dreams. He sees ancient abandoned space ports and ship yards until finally, he falls into a star. A red sun where he sees brilliant lights and lands in a hotel lobby. It's a perfect recreation of what a hotel would look like in any city in America. At closer inspection, he sees that it's all fake. A phone book with nothing inside, cereal boxes that outwardly look like Earth brands but filled with an alien substance. He believes that if the aliens would wanted to have killed him, all they needed to do was to let space take him. He lies down after a while and as he sleeps, his entire life flashes before him in reverse order. He dreams with clear vividness, all the important events in his life and realizes that all his memories are being drained and stored and he feels himself changing. The same creatures that created the monolith are probing him the way the monolith did to the ape-men and Moon Watcher but this time with a different objective. To push man to the next stage of evolution. He opens his eyes as a being of pure energy. He is the Star Child.



















He exists in space and time as a being that is both immortal and omnipotent. He then encounters other energy beings that show him how to jump through space and all its dimensions (not just three) with ease and he realizes that the Universe is his playground.

He returns to Earth and as he approaches, the nations of the world panic and launch their nuclear warheads at this new entity that is coming at them. With a thought. he destroys all the warheads on the planet. And just like Moon Watcher before him, he's the master of the world and wonder what he will do next. "I'll think of something.", he says to himself.


I find the entire story and premise fascinating. I have always thought (like other sci-fi fans, I'm sure) that when the human potential is completely realized (we utilize 100% of our brain), we will achieve something akin to Godhood. We will be capable of acts and feats that, right now, we attribute to the supernatural and impossible. I would love to be David Bowman and achieve control over mind & matter and have all the knowledge of the stars at my fingertips.

For anybody who loves science fiction, don't miss it.

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